The Feel and Look of Sounds. Musicality

The way you hear, feel, then interpret music is so personal that it definitely sets you apart. This collection will help you get in tune with your musicality and start to fully express it.

 

Recommended study time for this collection is 9 weeks.

Rhythmical Plays - Basics and Insights

You'll learn how to communicate in the couple through rhythm. The first step in reaching this is getting familiar with the common timing by acknowledging the components of the rhythm.
Music: Guapeando (orquesta Anibal Troilo).

17.37 min Musicality

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Rhythmical Walks 1

A lesson on how to interpret the music while changing the direction and managing the space. Focus on the posture, elegance and fluidity of the couple. Music: Paciencia (Juan D'Arienzo orchesta and singer Alberto Echagüe).

17.52 min Musicality Walk

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Rhythmical Walks 2

On how to manage the space in the milonga, with rhythm, using body technique to keep the embrace and change the level. Music: Music: Paciencia (Juan D'Arienzo orchesta and singer Alberto Echagüe).

12.36 min Musicality Walk

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Rhythmical Play. Extreme Close Embrace

You'll play with rhythm, double time steps but moreover, you'll learn a lot of details about the close embrace within the milonguero style.
Music: Volvamos a empezar (Alfredo De Angelis y su Orquesta Típica, singer Oscar Larroca).

18.29 min Embrace Musicality

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Musicality – Sometimes Choosing Melody Instead of Rhythm

You are free to choose either the rhythm or the melody, when your body and ears are prepared. This class is part of that preparation process.
Music: Bajo el cono azul (Orquesta Alfredo de Angelis, singer Roberto Florio).

14.25 min Musicality

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Extensive Rhythmical Play 1

A lesson on how to play with the intention, down and up beat, assuming that the rhythmical play is possible for both. Music: Mi Dolor (orchesta Juan D'Arienzo, singer Osvaldo Ramos).

12.59 min Musicality

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Extensive Rhythmical Play 2

Be aware of the timing in order to breake it in the right moment. You will also see how to lead/follow faster changes of weight in a certain direction. Music: Mi Dolor (orchesta Juan D'Arienzo, singer Osvaldo Ramos).

12.30 min Musicality

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Extensive Rhythmical Play 3

A lessons about how to perform double around the follower and tips regarding the exit from this exercise. Music: Mi Dolor (orchesta Juan D'Arienzo, singer Osvaldo Ramos).

10.30 min Musicality

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Extensive Rhythmical Play 4

About the release of the double time in a backwards step for the man, the challenge for the follower being to keep a very good connection. Music: Mi Dolor (orchesta Juan D'Arienzo, singer Osvaldo Ramos).

12.08 min Musicality

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Traspie in Tango Rhythm

A lesson about a fundamental element, used by both men and women to interpret music. It creates quite a nice feeling.
Music: Mi dolor (orchesta Juan D'Arienzo, singer Osvaldo Ramos).

18.47 min Musicality

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