It is All Around Us. Turns

A collection about linear and circular dynamics, and the link between them; about how to feel the timing of what the follower is doing without stepping with her; on how to keep a constant energy and flow in the Giros and much more.

 

Recommended study time for this collection is 8 weeks.

Giro. The Beginning

About linear dynamic, circular dynamic and the link between the linear and circular dynamics in the giro.

Music: Bahia Blanca (Carlos di Sarli).

18.03 min Giro

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Insights on the Giro 1

A lesson about how the linear part of the giro includes a dissociation and a change in the followers' axes. Women can use men's arms to remain centered. Music: Cada dia te extraño max (orquesta Troilo, singer Francisco Fiorentino).

13.39 min Giro

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Insights on the Giro 2

A lesson in which you'll learn to feel the timing of what the follower is doing, without stepping with her.
Music: Cada dia te extraño max (orquesta Troilo, singer Francisco Fiorentino).

11.01 min Giro

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Rhythmical Giros 1

On how to use a fake sacada to reposition and how a circular motion (around the leader/around the follower) will help you in this rhythmical giro. Music: Buscandote (orquesta Osvaldo Fresedo, singer Ricardo Ruiz).

17.29 min Giro

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Rhythmical Giros 2

This time on how to use a real sacada and the five beat double time for men. Music: Paciencia (Juan D'Arienzo orchesta and singer Alberto Echagüe).

12.23 min Giro

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Rhythmical Giros 3

On the five beat rhythmical play for both men and women. Music: Paciencia (Juan D'Arienzo orchesta and singer Alberto Echagüe).

13.17 min Giro

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Rhythmical Giros 4

In this class the ladies will learn how to keep the rhythmical intention during the pivot. The couple exercises will improve the balance and the space management. Music: Paciencia (Juan D'Arienzo orchesta and singer Alberto Echagüe).

12.55 min Giro

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Different Ways of Starting Giro

A lesson on how to keep a constant energy and flow in the giros. Technical tips regarding the circular movement, the embrace and the lead.
Music: Gitana Russa (Ricardo Malerba Y Su Orquesta Típica, singer Orlando Medina).

19.26 min Giro

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Giro in Both Directions

In the first part of the structure, find tips about the change of weight for the leader, but also about his connection with the ground. Discover the rest in the class.
Music: Te llaman Malevo (Orquesta Anibal Troilo, singer Tito Reyes).

18.17 min Giro

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Giro to the Inside of the Follower's Structure

A lesson about a different way to approach giro. The connection changes and of course the feeling.
Music: Porteño y Bailarín (Orquesta Carlos Di Sarli, singer Jorge Durán).

8.54 min Giro

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