A Beautiful Conversation. Technique for Mixing Tango Elements
We all know that tango is a language in its own right. And once your grammar and vocabulary are in place, beautiful conversations start flowing and deep connections happen. This is a collection of lessons for tango writers.
Recommended study time for this collection is 11 weeks.
Combination Giro-Girada-Rebote
Just one of the tips of this class: during the giro, leaders, surround the follower and hold softly her back. In this way you'll help her pivot.
Music: Gitana Russa (Ricardo Malerba Y Su Orquesta Típica, singer Orlando Medina).
Combination Boleo – Barrida. Detailed Technique
Highlights of some of the particularities of this combination – how to do it so that it comes natural for both dancers.
Music: Porteño y Bailarín (Orquesta Carlos Di Sarli, singer Jorge Durán).
Combination Boleo – Barrida. Insights and Shapes
Just a tip: Sebastian draws your attention to the way of leading the boleo – the movement is built over the whole dance and it is not caused by a single pressure.
Music: Porteño y Bailarín (Orquesta Carlos Di Sarli, singer Jorge Durán).
Mixed Technique – Barrida, Rebote
You'll find inhere the concept of rebote put in the context of two different types of barridas. A different approach leads to a differet feeling.
Music: Cantemos corazón (orquesta Carlos Di Sarli; singers Roberto Florio, Jorge Duran).
Combination Change of Direction – Soltada
A closer look to the sacada in this combination. On how little elements performed by both the leader and the follower, makes it look elegant.
Music: Cantemos corazón (orquesta Carlos Di Sarli; singers Roberto Florio, Jorge Duran).
Mixed Technique – Sacadas, Changes of Direction with Turns
When practicing them, you'll play with distances in the couple, make sure your embrace's fluid and you slide your arm on the back of your partner.
Music: De qué podemos hablar (Orquesta Carlos Di Sarli, singer Argentino Ledesma).
Moving in Harmony into Opposite Directions
On different types of opposite direction moves, that are combined with decorations for the follower. Plus, special technical elements on which the follower needs to work when dancing in close embrace.
Combination Retro Sacada – Boleo – Corte
Just a tip: the interesting effect on the retro sacada comes from the ability of the leader to gently hook the follower's free leg.
Music: Volvamos a empezar (Alfredo De Angelis y su Orquesta Típica, singer Oscar Larroca).
Combination Sacada – Gancho – Boleo – Corte
Just a tip: the energy brought in the cross by the left foot, for the follower, will be taken in the gancho by the right leg.
Music: El Adiós (Orchestra Osvaldo Pugliese, singer Jorge Maciel).