A Beautiful Conversation. Technique for Mixing Tango Elements
We all know that tango is a language in its own right. And once your grammar and vocabulary are in place, beautiful conversations start flowing and deep connections happen. This is a collection of lessons for tango writers.
Recommended study time for this collection is 11 weeks.
Combination Boleo – Barrida. Detailed Technique
Highlights of some of the particularities of this combination – how to do it so that it comes natural for both dancers.
Music: Porteño y Bailarín (Orquesta Carlos Di Sarli, singer Jorge Durán).
Combination Boleo – Barrida. Insights and Shapes
Just a tip: Sebastian draws your attention to the way of leading the boleo – the movement is built over the whole dance and it is not caused by a single pressure.
Music: Porteño y Bailarín (Orquesta Carlos Di Sarli, singer Jorge Durán).
Mixed Technique – Sacada, Enrosque, Ocho Loco
More than focusing on technique, this class demonstrates different types of expressivity and tango learning styles.
Music: Cantemos corazón (orquesta Carlos Di Sarli; singers Roberto Florio, Jorge Duran).
Combination Giro – Colgada – Double Time
An important class for followers - a circular feeling while doing the giro; information about the embrace and placement of legs.
Music: Porteño y Bailarín (Orquesta Carlos Di Sarli, singer Jorge Durán).
Combination Retro Sacada – Boleo – Corte
Just a tip: the interesting effect on the retro sacada comes from the ability of the leader to gently hook the follower's free leg.
Music: Volvamos a empezar (Alfredo De Angelis y su Orquesta Típica, singer Oscar Larroca).
Combination Sacada – Gancho – Boleo – Corte
Just a tip: the energy brought in the cross by the left foot, for the follower, will be taken in the gancho by the right leg.
Music: El Adiós (Orchestra Osvaldo Pugliese, singer Jorge Maciel).